Welcome to the Santa Novella Art Studio
Santa Novella Art Studio is named after my paternal grandmother, Novella Hardin (1902 – 1989). She was genuinely religious and a lively, creative, artistic woman who loved to garden, paint and decorate her environment. She had an air of vivacious creativity about her. Even as a young child, when I was around her, I always felt motivated to be creative as well.
Welcome to the Santa Novella Art Studio
Located in Breckenridge, Texas
Located near downtown Breckenridge, Texas, my studio is in a church building completed in 1927. The Christian Science Society church maintained ownership and continued upkeep of the structural brick building until my husband and I bought it in 2017. We began the renovation process soon after purchase.
In the 1920s Breckenridge, Texas was in the middle of an oil boom, rise of industrialization and a population explosion. Near a busy area of town with oil rigs, pump jacks, churches and the County Court House, the church building was set on a large lot among native oak and mesquite trees.
With a simplistic, rectangular design the building was constructed on pier and beam, with exterior brick and interior brick plastered walls. The main chapel area was fitted with eight, etched, 12 paned Truscon style windows, 6.5 feet in height. Over the years the original 15-foot ceiling had various reconstruction phases. Circa 1970 a drop ceiling was installed and central air and heating installed. The oak hardwood floors were also partially carpeted and the walls painted numerous times. In 2017 we found the plumbing was unusable, the electrical outdated, mortar cracking, ceiling rafters broken and the roof was sagging. Although in impending disrepair, I saw it as beautiful and worthy of saving.
The first time I walked into the building I felt a sense of belonging and sanctuary. Overcome with nervous excitement I recognized that I had walked into a place that held potential as a refuge for creative expression. Although unassuming, the aura, the lighting, the history and the possibilities it held, transfixed and captivated me. I understood that it needed work but I also knew it had potential. At just over 2,000 square feet it was considered a small building for a church. But wanting to move my studio space away from my home, it was a manageable size and would allow room for holding art classes as well as areas for my painting easels and worktable.
My husband tirelessly went to work overseeing workers and/or completing the necessary renovation work himself. From replacing the original knob and tube electric wiring, lighting, replacing plumbing pipes and fixtures, redoing hardwood floors, repairing and painting plaster walls, tearing down and putting up new ceiling, creating new bathrooms, and space for cleanup and storage; once again life in the building began to emerge. Where plaster had fallen from the walls, he left it as a showcase of the interior of the building. A new whitewashed bead board ceiling was installed in the chapel area, creating an open airy, light filled space.
Top Left Photo (Black & White): Originally built in 1927.Photo: Breckenridge American (Breckenridge, Tex.), Vol. 34, No. 67, Ed. 1. Friday, March 26, 1954. Building is 27 years old.
Left Photo: My grandmother - Fleety Novella Hardin - Circa 1927.
Cover / Center Photo: November 2022. Building is 95 Years old.
Bottom Photo: 2017 - Our first look at the inside of the chapel area.
Top Photo:
2022 - Painting completed, floors uncovered and beginning to work on floors
I can see the possibilities now!
Left Photo: Late 2017 - Construction Begins / Right Photo: 2019 - Windows finally opened and operational, new ceiling, electricity, lighting and fans installed.
My husband, Dale, has been dedicated to repurposing as much of the original materials as possible while retaining the look and feel of the building and making it a safe environment in which to work. With his exacting attention to detail, I have watched my husband toil through the daily struggles of working on an old building as well as celebrating accomplishments along the way. I have seen him come to appreciate its past and rehab this space to its new life.
The interior décor is an eclectic style of industrial, vintage, and diverse, artistic furnishings. My worktable is made from 95-year-old wood taken from the original outside eaves. Several of the original 12-foot oak pews remain in the chapel area for visitor seating. Industrial style pipe drop lighting illuminates paintings on the wall. The actual working studio space is in perfect artist lighting coming from the north.
Santa Novella Art Studio is named after my paternal grandmother, Novella Hardin (1902 – 1989). She was genuinely religious and a lively, creative, artistic woman who loved to garden, paint and decorate her environment. She had an air of vivacious creativity about her. Even as a young child, when I was around her, I always felt motivated to be creative as well.
The studio name is also reminiscent of my travels to Florence, Italy and my favorite church to visit, Santa Maria Novella. The church was originally called Santa Maria and upon reconstruction and a new façade it was renamed Santa Maria Novella. ‘Novella’ in this Italian/Latin setting means ‘new’ – as in a new façade and a new story. Wanting my building to also reflect its new renovations and purpose I named it Santa Novella Art Studio.
Santa Novella Art Studio is a place I am forever grateful for – a place I do not take for granted. It is a work of love from its inception in 1927 to its renovation starting in 2017. I appreciate what this building has taught me about this area of Texas and the town’s history. And I am especially thankful for my husband Dale who worked to provide me a space to fulfill my creative endeavors.
My desire is that when you enter Santa Novella Art Studio you are surrounded by a spirit of creativity and unbridled artistic excitement. And I hope that you are – just as I am - consumed with a feeling of reverence for the past, an inherent sense of sacredness and an immediate energy for inspired art making.